Opening Biennale X, Neuwerder /Brandenburg

da AAS-SSB | 29/06/2025 | Art Galleries | 0 commenti

Opening Biennale X, Neuwerder /Brandenburg

We would like to invite you to the Opening of the Biennale X Neuwerder 2025
“ART KNOWS NO LIMITS”

Neuwerder/ Brandenburg, on Saturday, July 5, 2025, at 2 p.m.

VENUE: LANDschafftKUNST e.V.
Kastanienweg 8
14728 Neuwerder
Phone +49 33875-31260
Mobile +49 173 6339 602
info@land-schafft-kunst.de

PS: I’ll be particpated with the art work: “My Dear Tree”, 2025
Installation in public space. 130 painted wooden bars. 900 x 550 x 700 cm.

Eröffnung der Biennale X Neuwerder 2025
“KUNST KENNT KEINE GRENZEN”

Neuwerder Samstag, den 5. Juli 2025 um 14 Uhr

ORT: LANDschafftKUNST e.V.
Kastanienweg 8
14728 Neuwerder
fon 033875-31260
mobil 0173 6339 602
info@land-schafft-kunst.de

Grußwort Ministerin Dr. Manja Schüle
Ministerium für Wissenschaft, Forschung und Kultur des Landes Brandenburg

Grußwort Katja Melzer
Geschäftsführerin Brandenburgische Gesellschaft für Kultur und Geschichte, Kulturland Brandenburg

Grußwort Bruno Kämmerling
Landkreis Havelland

Einführung Bernhard Robben
Musik Rolf von Nordenskjöld
Saxophon, Flöte

Künstler- und Dorffest am Abend mit den Hard beat Five

Ausstellungsdauer
5. Juli bis 20. Juli 2025
jeweils Samstag und Sonntag
von 13 – 19 Uhr und nach telefonischer Vereinbarung

Führungen
an allen Wochenenden jeweils 14 Uhr und 17 Uhr
Anmeldungen über via-artis-berlin.de
BIENNALE

Alle © Fotos Susanne Wehr
Foto 1 Arbeit von Sabine Fassl
Foto 2 Arbeit von Nele Probst
Foto 3 Arbeit von Claudio D’Ambrosio

“My dear tree”, 2025

Installation by Salah Saouli

When I was a little boy and didn’t feel like doing my homework, I once asked my mother : “Where does the wooden chair I’m sitting on come from?”

Because she recognized my question as a diversion, she gave a very brief answer : “From a tree.”

This answer got me thinking and pondering. I couldn’t quite imagine how the chair could come from a tree. Was it something like an act of birth? I tried to imagine trees giving birth to chairs.

Later, I learned that the trees are slaughtered so we can get the wood. After that, I had a love-hate relationship with my chair, my table, even my wooden toys…

This work connects to my childhood ideas. We make so much from the raw material wood, but too rarely think about the sacrifice this represents for the trees that have to “give birth” to this wood.

The installation “My Dear Tree” represents a letter to the tree, including an apology for having to use wood to draw attention to the trees and to the natural sources.

Biennale X Neuwerder 2025